Today, Chicano music keeps progressing and Chicano music is still popular. Moreover, it is even possible to trace the growing popularity of Chicano music in the US. Originally, Chicano music was the music of Mexican Americans but today Chicano music tends to overcome frontiers of the Mexican American community. This music becomes more and more popular in non-Mexican-American community attracting many fans from other ethnic groups. At the same time, the current development of Chicano music is vulnerable to the impact of other cultural groups and music trends, especially the impact of hip hop culture is particularly strong. In actuality, Chicano music undergoes the impact of hip hop as well as other mainstream trends in music but still it preserves its uniqueness and Chicano music still preserves traditional elements of rock music, which comprised and still comprises an integral part of Chicano music. Since the early 2000-s Chicano music has started to slip toward hip hop and pop music that is the result of the growing impact of hip hop culture on the youth and the American culture at large. In fact, in spite of the growing impact of hip hop culture, modern Chicano music still remains rock dominated. In this regard, it is worth mentioning The Mars Volta, an extremely popular Chicano band, which has gained the public acclaim with its albums, such as De-Loused in the Comatorium (2003), Frances the Mute (2005), Amputechture (2006), The Bedlam in Goliath (2008), and the recent Octahedron (2009).