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Much of the writing we do is compulsory. It starts in school and continues on the job. Writing an important thank-you letter as an adult can feel just as compulsory as when your mother sat you down and forced you to write a letter to Grandma for a birthday present you didn't like. If you write at all as an adult, it's probably because you have learned to be stoical and resigned about compulsory writing. "I wish I didn't have to write this thing this weekend. I'd like to be outdoors. Still, that's the way it goes, this is always happening to me." But as you work on the writing, you have a particularly hard time. You take all weekend and don't finish till late Sunday night. And all the while you tend to say to yourself, "I'm so bad at writing. I wish I had skill in writing."
"I think I'll just hold this gun to your head till you finish." It is hard for you to see that you ruined your whole weekend needlessly. You could have gotten the job done in half the time, in fact you could have gotten it done at work before the weekend even started. You think your weekend was ruined by your difficulty in writing but what ruined it was your difficulty in dealing with compulsory tasks. You were so busy complaining about how bad a writer you are, you didn't remember the times when writing went much better. You may not have had many good writing experiences-but then you may not often write without a gun at your head. Or perhaps you aren't so stoical. You get so furious that you fume and stamp your feet and bang your fist all weekend. And yet you may not realize how much that impedes your writing. That blankness in your mind when you try to think of ideas, that difficulty you have in just letting yourself write down sentences at all, that pressure in your head when you try to organize what little you have to say: you tend to experience these as lack of intelligence or lack of skill in writing when really they come from your inability to deal with compulsory tasks. I don't mean to imply that this analysis makes things easy. Solving the problem of your reactions to compulsory tasks is probably harder than learning how to write well. But at least there is hope of progress if you can tell which one is holding you back -- if you can feel the difference between trying to saw through a thick plank with an imperfect saw and trying to saw through that plank when your own efforts are binding the saw. If you persist in thinking your only problem is a writing problem, you block progress on both fronts. If you have to do a piece of compulsory writing it helps to face the central issue squarely: are you going to consent or refuse? To consent is not necessarily to cave in. You don't have to like the task ,or the taskmaster, you don't have to grovel, but if you want the writing to go well, you have to invest yourself in the job wholeheartedly. If this is hard for you, it is probably because it feels like groveling or caving in. You may not be able to put your full strength into the job -- to consent -- unless you feel you could refuse. And this is a matter of power. It feels as though "they" have all the power. It is true that they have authority and therefore they probably have sanctions. They can fire you or flunk you. Or hate you. But the final power is yours. You are in charge of whether you consent or refuse. What feels compulsory is not compulsory. Even people "compelled" with actual guns have sometimes insisted on their power to refuse. I am thinking of the successful nonviolerit resistance by Norwegian school teachers during World War II. * Does it help, you may well ask, to portray your harrassed supervisor or your bumbling teacher as a sadistic TV Nazi pointing a gun at your head, when what you are trying to learn is to consent (when appropriate) to, compulsory tasks? But if you can feel, underneath your alleged difficulty in writing, your older feelings left over from the many times "they" twisted your ear or somehow compelled you to give in, you will have much better luck in stepping beyond those past feelings and getting this present job done quickly. (Those TV movies with Nazis wouldn't have such appeal if they weren't really about the universal childhood experience of being helpless before superior power.)But you may not believe in your power to refuse unless you really use it -- openly and with full responsibility (instead of fooling yourself into being sick or having an emergency or "trying as hard as you can" and somehow not succeeding). Perhaps refusing is not the ideal solution, but it's better than that familiar worst-of-bothworlds compromise: you don't get the fun of saying No or the satisfaction of doing the job quickly with investment. All you get is a ruined weekend and a sense of powerlessness. Summary and Advice | • | Figure out whether the writing is compulsory. Is someone else really demanding it? If not, it's not compulsory. If so, it's not still compulsory: you can refuse. | | • | Are you sure the price of refusal is too high? Will you really be fired? Are you sure you want that job? Will they hate you for life? Are you sure you care? It is easy to assume the world will come to an end if you say no. | | • | If you finally decide to consent -- if you decide it's not worth whatever the price is just to get out of doing this piece of writing -then consent! Do the job wholeheartedly without fighting it. You don't have to love the job just to invest your best efforts in getting it done quickly and getting some pleasure from it. |
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If angry resentful feelings hold back your writing, stop, recognize those feelings for what they are, scream them out or write them down for ten minutes, and then get back to your job. Insist on your power to write efficiently. | | But don't forget the advantages of compulsory writing. Sometimes you learn things because people "make" you. Children seem to be aided in learning self-control by internalizing the control exercised over them by others. When you sign up for a writing course, what you may well be doing is simply paying someone to make you write every week. You realize you cannot yet get yourself to write every week, but you are willing to pretend the teacher can make you do it. There's nothing wrong with putting that makebelieve gun into his hand if it will help you learn faster. But, remember, it's make-believe. | |